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The Hollow by Rob Hazeltine – psychological thriller book cover

The Hollow

YOU CAN’T RUN FROM WHAT’S ALREADY INSIDE YOU.

Chris Harlan should have died in the cave.
Everyone else did.

What dragged itself out of that sinkhole wasn’t quite the same man who went in — and he knows it. Something followed him back. Not in the air. Not on his skin. In him.

Whispers in the static.
Eyes in the mirror that don’t blink when he does.
Memories that don’t belong to him — and some that do, but not the way he remembers.

Now, towns are going quiet. Roads are folding in on themselves. And the cave — whatever it really was — is waking up beneath the surface again.

Chris doesn’t know if he’s the last line of defense…
…or the beginning of something worse.

Live Feed by Rob Hazeltine – psychological thriller book cover

Live Feed

THE TRUTH DOESN'T MATTER.

THE STORY DOES.
 

The truth doesn't matter. The story does.

Lucas Kessler used to know how to control a narrative.
As the former host of a hit true-crime podcast, he built his reputation on unearthing hidden stories—until scandal buried him instead.

Now, desperate for redemption and one last shot at relevance, Lucas accepts an invitation to compete in an underground reality game with one rule: only one winner leaves. Set in an abandoned prison wired with cameras, manipulated by unseen voices, and surrounded by strangers who feel just a little too familiar, the game promises truth, spectacle… and ten million dollars.

But the deeper Lucas goes, the more the rules unravel. The people around him aren’t what they seem. The cameras never blink. And someone—somewhere—is watching it all unfold in real time.

This isn’t a comeback.
It’s a setup.

And the story isn’t his to tell anymore.

Rob Hazeltine psychological thriller author website banner

The Woods

THERE'S SOMETHING WAITING.

When an indie film crew arrives in the forgotten town of Pineshade to shoot a reenactment of a decades-old murder, they expect ghost stories, superstition, maybe even a few technical glitches.

 

What they don’t expect is the scream.

Captured late one night by their sound engineer, it doesn’t match any scene in their script. It’s not human. It shouldn’t exist.

Then a woman vanishes.

Footage begins to appear that no one remembers shooting.

And somewhere deep in the woods—beneath old cabins and older lies—a final scene waits to be completed.

The cameras won’t stop rolling.
The woods won’t let them leave.
And a
s the line between what’s real and what’s been recorded begins to blur, one thing becomes clear:

The story they’re telling isn’t theirs anymore.

And something in the woods is waiting for it to end.

Rob Hazeltine

Author of Psychological Thrillers

646-598-9170

364 W 52 Street

5th Floor
New York, NY 10019

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